• This product is a Digital Download of a COUNTED CROSS STITCH PATTERN. Instructions included.
• This pattern is used to sew and create a cross stitch picture.
• This is NOT a completed product. It is NOT a kit, it is a DIGITAL DOWNLOAD. Floss, fabric, and other supplies are NOT INCLUDED.
• After purchasing you can work from this digital pattern on your device or print the pattern on your own printer.
• The pattern consists of a multi-page enlarged chart that is easy to follow as you work.
• This pattern is in Black and White and uses symbols to differentiate the different threads you will use. It is NOT IN COLOR.
• See the detailed product images attached to this listing showing what you will receive and what the pattern looks like.
• Chart/Patterns use up to 40 colors of floss, which YOU must provide.
• This pattern uses Full Stitches only. No half stitches, and no backstitching necessary.
• Charted for 14 count fabric and DMC Cotton Floss. Finished Size is: 14 inches (196 Stitches) by 12 inches (168 Stitches).

Believing that a distinct Canadian art could be developed through direct contact with nature, the Group of Seven is best known for its paintings inspired by the Canadian landscape, and initiated the first major Canadian national art movement. The Group of Seven, also known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890-1945), Lawren Harris (1885-1970), A. Y. Jackson (1882-1974), Frank Johnston (1888-1949), Arthur Lismer (1885-1969), J. E. H. MacDonald (1873-1932), and Frederick Varley (1881-1969). Later, A. J. Casson (1898-1992) was invited to join in 1926; Edwin Holgate (1892-1977) became a member in 1930; and LeMoine FitzGerald (1890-1956) joined in 1932.Two artists commonly associated with the group are Tom Thomson (1877-1917) and Emily Carr (1871-1945). Although he died before its official Patternion, Thomson had a significant influence on the group. In his essay "The Story of the Group of Seven", Harris wrote that Thomson was "a part of the movement before we pinned a label on it"; Thomson's paintings "The West Wind" and "The Jack Pine" are two of the group's most iconic pieces. Emily Carr was also closely associated with the Group of Seven, though was never an official member.